The harmonics are an integral part in feeling a kick. But the processing is so important - a kick has to sound raw to the extent that it sounds musical, clear, and not muddy. The spectrum of a pro kick isn't saying much, because you don't know how much processing went in, how much distortion, reverbs, composite layers etc.the_wraith wrote:Matter of taste I guess. I'm not a fan of too much layering. A bit ago I tried adding a sub to a bus and when I rose its volume, the bass became less due to phase cancellation - that was a funny situation. Some layering is necessary of course but that doesnt come close to describing why certain sounds are fat and others are not. i personally think it has to do with the different harmonics and overtones, how they are detuned and how they interact. But dunno.Big layers makes for a good kick. And layering Of small layers as well. Need to ude lots of distortion and make tightness in the low and then you can feel the kick or layer. Otherwise you're not feeling it.
Like you could take a synth layer and overdrive it or squash it with a brickwall, then EQ it to have the same harmonics as a headhunterz kick. But it's weak and not rich enough, since it's only 1 layer and there was just 1 distortion processed. (It could potentially be a useful layer though if you were to combine it with other sounds).
I find that the lower you go into a frequency spectrum, the less processing is necessary. A sub needs nothing on it. Low frequencies after sub could be only 1 layer. Then the mid-high frequencies after 500Hz have to be very processed. Adding more processing means more mixer effects (dist/eq/verb) or layering, and/or both. It's whatever works.